Avid HD Omni

Avid HD Omni

All-in-One ProTools HD Interface Daily Rate: $100

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Overview

 

Capture pristine, high-resolution audio through premium mic preamps and monitor your sessions in up to 7.1 surround with the all-in-one HD OMNI interface. Designed to completely integrate with Pro Tools|HD, HD OMNI is an ideal choice for individual musicians, composers, post-production studios, and anyone else who demands top sound quality and the convenience of an all-in-one interface. Experience best-in-class A/D and D/A conversion, mic preamps, the lowest possible latency, and a full monitoring section—all in one compact interface

FEATURES:

Get the sound quality you’ve always wanted. With HD OMNI, you can connect your mics, instruments, line-level gear, and digital devices, capture every audio nuance they deliver in stunning clarity, and choose how you want to monitor your mix.

  • Pristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversion
  • High-quality, low-noise analog I/O:
    • 2 premium, digitally-controlled mic/DI preamps
    • 4 line inputs
    • 8 line outputs, with true analog gain
  • Versatile digital I/O, with sample rate conversion on all inputs:
    • 8 channels of ADAT I/O (supports S/MUX II and IV)
    • 2x8 channels of AES/EBU I/O
    • 2 channels of S/PDIF I/O
  • Supports 4x8 analog audio streams, or 8x8 including digital
  • Route audio independently from Pro Tools with the 14-input persistent monitor mixer
  • Completely integrates with Pro Tools|HD for full routing, mixing, and monitoring control
  • Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter
  • Hear your mixes in however many channels you need, from stereo to 7.1 surround
  • Improve communication while tracking with dedicated cue path
  • Keep things in sync with dedicated Word Clock and Loop Sync I/O
  • Compact 1U rack-mountable chassis
  • Connects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included)


TECHNICAL SPECIFICATIONS:

 

Compatibility

 

All configurations of HD I/O work with the following host audio systems:

  • Avid-qualified Pro Tools|HD system running Pro Tools HD 8.1 or higher software
  • Avid-qualified Pro Tools|HD system running a Core Audio or ASIO compliant application


 

HD OMNI Product Specifications

 

Analog Inputs 4
Analog Outputs 8
Mic / Instrument Inputs 4 (2 simultaneous inputs at a time)
Mic Pre Gain 65 dB
Headphone Output 1
Monitoring Formats 7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono
Speaker Selection 2 sets
Persistent Mixer 14 input channels to 2 multichannel monitoring paths, each with its own fold-down configuration
AES/EBU I/O 2 x 8
AES Single-Wire (192 kHz) yes
S/PDIF I/O 2
ADAT I/O 8
S/MUX S/MUX II and IV
SRC AES, S/PDIF (coax RCA & Optical inputs)
Word Clock I/O 1 In + 1 Out
Loop Sync I/O 1 In + 1 Out
Curv Yes
Soft Clip Yes
Digital Interface DigiLink Mini
Chassis 1U rack-mountable chassis
Mic Inputs
Frequency Response 20 Hz – 20 kHz (+/-.05 dB)
Gain Range 65 dB
EIN -128 dB
THD+N -107 dB (0.00045%)
CMRR -93 dB
Line Inputs
Frequency Response 20 Hz – 20 kHz (+/-.03 dB)
Dynamic Range 118 dB (A-weighted)
THD+N -111 dB (0.00028%)
Line Outputs
Frequency Response 20 Hz – 20 kHz (+/-.03 dB)
Dynamic Range 120 dB (A-weighted)
THD+N -108 dB (0.00039%)
Line Output Level / Trim +10 dBu or +24 dBu/-40dB to +10dB (0.1dB steps)
Headphone Outputs
Frequency Response 20 Hz – 20 kHz (+/-.03 dB)
Dynamic Range 118 dB (A-weighted)
THD+N -107 dB (0.00045%)


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