Avid HD Omni

All-in-One ProTools HD Interface Daily Rate: $100

Features | Technical Specifications | Support

Overview

 

Capture pristine, high-resolution audio through premium mic preamps and monitor your sessions in up to 7.1 surround with the all-in-one HD OMNI interface. Designed to completely integrate with Pro Tools|HD, HD OMNI is an ideal choice for individual musicians, composers, post-production studios, and anyone else who demands top sound quality and the convenience of an all-in-one interface. Experience best-in-class A/D and D/A conversion, mic preamps, the lowest possible latency, and a full monitoring section—all in one compact interface

FEATURES:

Get the sound quality you’ve always wanted. With HD OMNI, you can connect your mics, instruments, line-level gear, and digital devices, capture every audio nuance they deliver in stunning clarity, and choose how you want to monitor your mix.

• Pristine audio clarity and ultra low latency through state-of-the-art A/D and D/A conversion
• High-quality, low-noise analog I/O:
  • 2 premium, digitally-controlled mic/DI preamps
  • 4 line inputs
  • 8 line outputs, with true analog gain
• Versatile digital I/O, with sample rate conversion on all inputs:
  • 8 channels of ADAT I/O (supports S/MUX II and IV)
  • 2x8 channels of AES/EBU I/O
  • 2 channels of S/PDIF I/O
• Supports 4x8 analog audio streams, or 8x8 including digital
• Route audio independently from Pro Tools with the 14-input persistent monitor mixer
• Completely integrates with Pro Tools|HD for full routing, mixing, and monitoring control
• Track hotter signals and smooth out sounds with Curv, a new built-in soft-knee limiter
• Hear your mixes in however many channels you need, from stereo to 7.1 surround
• Improve communication while tracking with dedicated cue path
• Keep things in sync with dedicated Word Clock and Loop Sync I/O
• Compact 1U rack-mountable chassis
• Connects to Pro Tools|HD through a DigiLink Mini connection (cable and adaptor included)

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TECHNICAL SPECIFICATIONS:

 

Compatibility

 

All configurations of HD I/O work with the following host audio systems:

• Avid-qualified Pro Tools|HD system running Pro Tools HD 8.1 or higher software
• Avid-qualified Pro Tools|HD system running a Core Audio or ASIO compliant application

 

HD OMNI Product Specifications

 

Analog Inputs	4
Analog Outputs	8
Mic / Instrument Inputs	4 (2 simultaneous inputs at a time)
Mic Pre Gain	65 dB
Headphone Output	1
Monitoring Formats	7.1, 7.0, 6.1, 6.0, 5.1, 5.0, QUAD, LCRS, LCR, 2.1, Stereo, Mono
Speaker Selection	2 sets
Persistent Mixer	14 input channels to 2 multichannel monitoring paths, each with its own fold-down configuration
AES/EBU I/O	2 x 8
AES Single-Wire (192 kHz)	yes
S/PDIF I/O	2
ADAT I/O	8
S/MUX	S/MUX II and IV
SRC	AES, S/PDIF (coax RCA & Optical inputs)
Word Clock I/O	1 In + 1 Out
Loop Sync I/O	1 In + 1 Out
Curv	Yes
Soft Clip	Yes
Digital Interface	DigiLink Mini
Chassis	1U rack-mountable chassis
Mic Inputs
Frequency Response	20 Hz – 20 kHz (+/-.05 dB)
Gain Range	65 dB
EIN	-128 dB
THD+N	-107 dB (0.00045%)
CMRR	-93 dB
Line Inputs
Frequency Response	20 Hz – 20 kHz (+/-.03 dB)
Dynamic Range	118 dB (A-weighted)
THD+N	-111 dB (0.00028%)
Line Outputs
Frequency Response	20 Hz – 20 kHz (+/-.03 dB)
Dynamic Range	120 dB (A-weighted)
THD+N	-108 dB (0.00039%)
Line Output Level / Trim	+10 dBu or +24 dBu/-40dB to +10dB (0.1dB steps)
Headphone Outputs
Frequency Response	20 Hz – 20 kHz (+/-.03 dB)
Dynamic Range	118 dB (A-weighted)
THD+N	-107 dB (0.00045%)

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SUPPORT DOCUMENTS, DOWNLOADS AND MANUALS:

• Avid HD Omni Datasheet (PDF, 1305.6 M)
• Avid HD Omni Guide (PDF, 1305.6 M)

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