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Suround Sound Microphone Daily Rate: $175
The new Holophone H2-PRO Surround Sound Microphone is the only patented device specifically designed for capturing discrete 5.1, 6.1, and 7.1-channels of surround sound for all professional audio applications.
Its flexibility, ease of use, and performance make the H2-PRO ideal for recording live events and in-studio use. It is well suited for television broadcasters (standard TV, DTV, and HDTV), radio broadcasters, music producers and engineers, film location recording crews, and for independent project studios. All surround sound recordings from the H2-PRO are discrete and in real-time, thereby very easy to bring into any broadcast or studio environment, manipulate, mix and/or encode into any/all of the standard consumer playback formats - Dolby, DTS, and Circle Surround. The H-2 Pro provides engineers and producers total control over all incoming, discrete surround sound audio signals and delivers those signals in an intuitive way.
The Holophone H2-PRO Surround Sound Microphone is entirely compatible with all standard analog and digital I/O devices that accept up to eight channels and provide phantom power including hard disc based recorders, multichannel preamplifiers, standard multichannel I/Os, and all mixing consoles.
Lightweight and inexpensive solution to instantly capture live surround sound for professional recording or broadcast.
No mixing, signal manipulation or processing is required, direct and discrete signal path from the mic to the monitor
Easy set-up, point and shoot operation with plug and play capability.
Compatible with all eight-channel mic preamps, location recorders and recording consoles providing phantom power.
Compatible with all surround sound encoding/playback formats (Dolby, DTS, Circle Surround, IMAX etc.)
Rugged design for outdoor environments.
The unit uses eight DPA 4060 capsules mounted in an incredibly light "head" (L, C, R, Ls, Cs [center surround], Rs, VOG [top] and sub). The head is attached to a steel U-joint that swivels and locks via two hefty threaded knobs at the side. The 15-foot multicable is mounted with a sturdy and flexible rubber stress-reliever at the head and terminates to eight labeled XLRs. The DPA capsules can handle 134 dB before clipping with an equivalent noise rating of 23 dBa.
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